Okay, we’ll start off with the proverbial elephant in the room- this is indeed my first time blogging (acknowledgement goes to people like Errol Elumir and Manda Whitney, whose creative endeavours inspired me to think that I might be able to do this myself) and I’ll admit I’m still learning- so if there are areas where I could perhaps do better, please let me know.
I’ve not picked the simplest of subjects to address for a first post either, and certainly not a subject with any definitive answers- but what I’m asking is this: What is canon, who owns it and how does that impact on the fanbase?
Canon, as I understand it, is by no means a new thing- having existed in such forms as Arthurian legend and Greek myths- and I’d even make an argument that the involvement of new storytellers in taking up these canons and adding to them could amount to what we, with our modern sensibilities, might consider fanfiction (for example, if viewed through a modern lens, would Vergil’s Aeneid qualify as trojan war/odyssey fanfiction?). Back then, Copyright law did not exist (with the first such law being passed in 1710- for those who might wonder), which meant that anyone could- in theory- participate in the expansion and evolution of the stories and indeed shared worlds in question.
But, I hear you say, all this talk about the historic nature of canon is terribly nebulous, lacking in citable evidence- and terribly boring.
Admit it, this image conveys your level of interest almost exactly.
If anything, you wanted to go into a discussion of more modern canon- perhaps the canon of the Marvel or D.C. comics universe, or that of Star Wars and its expanded universe, or something in a similar vein. These modern canons are protected by copyright, are owned by major corporations and often include elements that we wish they didn’t (or even worse, retcon themselves to remove elements that we love).
Now, hang on a moment, I expect you’ll tell me, the corporations that own these canons are out to make a profit, and without any solution definitively better than capitalism, they have every right to do so.
Nonetheless, the fact remains that often these large, sweeping canons are not all that we would want them to be, leading to situations where fans say that their “headcanon” does not, for example, include Jar-Jar Binks, or the Spider-Man should never have been part of the Avengers. Indeed, despite the fact that we in no way own the canon of the properties that inspire us, we bend them to our will in the privacy of our heads with gleeful abandon. But I would ask this, when we create our own headcanon for the stories we love, making sweeping changes in the process, is this a kneejerk reaction of anything but that, through which we admit that something is wrong but do not take the time to understand what is wrong and how it is wrong (potentially leaving those of us with more creative mindsets at risk of falling afoul of George Santayana’s famous quote, “those who do not remember the past are condemned to repeat it”) or do we take the time to sit down with the elements we dislike- examine their flaws, and consider how we can avoid falling into the same traps in our own, often fumbling and blundering attempts at creativity?
The other issue we often encounter with our fandoms is that of our most beloved elements not being as appealing to those who make the business decisions
Because clearly this guy knows the critical portions of canon better than the rest of us.
Yes, now we come onto the matter of official retcons and universe reboots- and while I could talk about this in terms of such franchises as the Marvel comics Universe, or even in terms of Doctor Who, I’m going to discuss this in terms of Star Wars, because that’s the franchise I know best which falls into this category. I’ve been a fan of the Star Wars films since the release of the special edition films back in the nineties, these being the first time I watched them- and I discovered the novels of the Expanded Universe soon thereafter- being enthralled with the Thrawn trilogy and the X-Wing novels and reading my way through much of the rest, even the bits which were jarringly out of place, flawed or just didn’t suit the pacing I preferred of a story.
But my interest over the years became strained, first by the prequel films with their stilted dialogue in place of the banter of Han and Lando and reliance on CGI sequences doing all the storytelling. Secondly came the New Jedi Order arc of novels which, for all that they were an audacious concept and employed skilled writers to try and put their vision down on paper, the sheer number of alternating writers in that series (and all subsequent Star Wars multi-writer book projects) kept it from developing a consistent voice for me. Thirdly came some of the novels that followed after the New Jedi Order arc, which seemed to have been published more for the purpose of trying to tie together wildly divergent elements of backstory to create from all the contradictions a single story for characters such as Boba Fett, no matter how many improbably placed hoops the story had to jump through to achieve this.
This being the case, I slumped into a degree of despair and fatalism regarding Star Wars continuity- for all its promise, and for all the way it inspired me at first, it had these big glaring issues which had pushed it to the back of my priorities among the many stories and canons about which I am passionate.
But with the announcement that Disney had bought the rights and Episode 7 was being made, that changed, and with the subsequent announcement that they were basically getting rid of the expanded canon, my opinions solidified. After all, the Thrawn trilogy and the X-Wing novels had taken the films and expanded their scope in my mind, building from the foundation of one planet or system at a time into a grander canvas that saw the Rebel Alliance- indeed the New Republic as it became- forced to evolve from fighting one skirmish or battle at a time into a power capable of waging war across a broad front against an enemy that, while it had turned upon itself, still vastly outnumbered them- and I wasn’t willing to give that up, in fact I still don’t want to give that up even though I have little choice in the matter.
So, for all that J.J. Abrams’ vision seems to involve a much longer and less decisive war against the empire, and seems to replace such titans as Thrawn, Ysanne Isard, Zsinj, Natasi Daala and the Emperor Reborn with Sith inquisitors- in my headcanon, Thrawn is still out there, waiting, with the consummate understanding of strategy to overwhelm even the Sith and restore order to an increasingly chaotic galaxy, whatever the cost.
Canon and copyright are two different things. Disney now owns the Star Wars IP and can do whatever they want with it.
What Disney cannot do, and never will, is take away my enjoyment and memories of Grand Admiral Thrawn, or Kyle Kartan. Canon in fiction exists in the mind of the beholder. Thrawn will always be as “real” to me as anything Abrams puts in Episode VII.
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